Tamara de Lempicka Adam and Eve painting

Tamara de Lempicka Adam and Eve paintingWassily Kandinsky Squares with Concentric paintingGustav Klimt Portrait of Sonja Knips painting
did not return to Fatima. Instead I set off for the bus stop, but the annoyances of the night were not yet over. I was halted again at the gates and the interrogation was repeated. I explained that I had already satisfied their colleagues and been discharged. We re-enacted the scene, with the fading hope of a tip as the recurring motive. Finally they, too, telephoned to the Consulate and I was free to take my bus.
They were still serving dinner at the hotel; the same of billiards was in progress in the bar; it was less than an hour since I went out. But that hour had been decisive; I was finished with Fez; its privacy had been violated. My weekly visit to the Consulate could never be repeated on the same terms. Twice in twenty minutes the Consul had been called to the telephone to learn that I was in the hands of the police in the Moulay Abdullah; he would not, I thought, be censorious or resentful; the vexation had been mild and the situation slightly absurd—nothing more; but when we next met our relations would be changed. Till then they had been serenely remote; we had talked of the news from England and the Moorish antiquities. We had exposed the bare minimum of ourselves; now a sudden, mutually