Thursday, September 25, 2008

Rembrandt Christ On The Cross painting

Rembrandt Christ On The Cross paintingRembrandt Bathsheba at Her Bath paintingLord Frederick Leighton Wedded painting
time the only effect of the publication was to annoy the Court and cause his pension to be cancelled. After his death it was entirely forgotten until the middle of the last century when it was reprinted in Germany in a collection of late Renaissance texts. It was in this edition that Scott-King found it during a on the Rhine, and at once his heart stirred with the recognition of kinship. The subject was irredeemably tedious—a visit to an imaginary island of the New World where in primitive simplicity, untainted by tyranny or dogma, there subsisted a virtuous, chaste and reasonable community. The lines were correct and melodious, enriched by many happy figures of speech; Scott-King read them on the deck of the river steamer as vine and turret, cliff and terrace and park, swept smoothly past. How they offended—by what intended or unintended jab of satire, blunted today; by what dangerous speculation—is not now apparent. That they should have been forgotten is readily intelligible to anyone acquainted with the history of Neutralia.
Something must be known of this history if we are to follow Scott-King with understanding. Let us eschew detail and observe that for three hundred years since Bellorius’s

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