Monday, June 9, 2008

Martin Johnson Heade paintings

Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
She began to wish she had not come; her presence was not necessary. She might have invented a pretext for staying away; she might even invent a pretext now for going. But Edna did not go. With an inward agony, with a flaming, outspoken revolt against the ways of Nature, she witnessed the scene of torture.
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She was still stunned and speechless with emotion when later she leaned over her friend to kiss her and softly say good-by. Adèle, pressing her cheek, whispered in an exhausted voice: "Think of the children, Edna. Oh think of the children! Remember them!" Edna still felt dazed when she got outside in the open air. The Doctor's coupe had returned for him and stood before the porte cochere. She did not wish to enter the coupe, and told Doctor Mandelet she would walk; she was not afraid, and would go alone. He directed his carriage to meet him at Mrs. Pontellier's, and he started to walk home with her.
Up -- away up, over the narrow street between the tall houses, the stars were blazing. The air was mild and caressing, but cool with the breath of spring and the night. They walked slowly, the Doctor with a heavy, measured tread and his hands behind him; Edna, in an absent-minded way, as she had walked one night at Grand Isle, as if her thoughts had gone ahead of her and she was striving to overtake them.

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