Gustav Klimt Painting

Gustav Klimt Painting
troubling him and, as he was passing along the Avenue de l'Opera, the idea of the cane came to his mind and he acted on it. It was then eight o'clock. And I, who had hit upon the very hour of the occurrence of the tragedy, almost convinced that Darzac was not the criminal, and knowing of the cane, I still never suspected Larsan. There are times ..."
"There are times," I said, "when the greatest intellects -..." Rouletabille shut my mouth. I still continued to chide him, but, finding he did not reply, I saw he was no longer paying any attention to what I was saying. I found he was fast asleep. uring the days that followed I had several opportunities to question him as to his reason for his voyage to America, but I obtained no more precise answers than he had given me on the evening of the adjournment of the trial, when we were on the train for Paris. One day, however, on my still pressing him, he said:
"Can't you understand that I had to know Larsan's true personality?"
"No doubt," I said, "but why did you go to America to find that out?"
He sat smoking his pipe, and made no further reply. I began to see that I was touching on the secret that concerned Mademoiselle Stangerson. Rouletabille evidently had found it necessary to go to America to find out what the mysterious tie was that bound her to Larsan by so strange and terrible a bond. In America he had learned who Larsan was and had obtained information which closed his mouth. He had been to Philadelphia.